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Live Gig Video: Sinkane performs ‘How We Be’ at Baby’s All Right in Brooklyn

 
By on Monday, 17th November 2014 at 4:00 pm
 

The super soulful Sinkane will be starting a tour of England and Ireland tomorrow evening at Bristol Start the Bus. Ahead of that, he’s released this groovy video from a show he did last month in Brooklyn at Baby’s All Right, which is turning out to be the venue where all indie UK artists end up playing the first time they’re in our country. Watch below as he and his crew perform ‘How We Be’ in front of a group of eager, dancing fans.

Sinkane’s album ‘Mean Love’ was released to critical acclaim back in September on City Slang.

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(SXSW 2015 flavoured!) Live Review: Lewis Watson with Alicia Rae at U Street Music Hall, Washington DC – 14th November 2014

 
By on Monday, 17th November 2014 at 2:00 pm
 

With a chilly temperature hovering around 0 degrees after the sun had set last Friday, you’d think a DC gigging crowd wouldn’t show up until doors had opened at the U Street Music Hall. But you would be wrong. However, to the fans that braved the cold to be sure they’d be as close to the front of the stage as possible, the draw for the night was entirely worth.

But before we get that, let’s talk about the opener, shall we? After a while, the young, adorable singer/songwriter women of the world start to blur together in my mind. Unless I’m mistaken – or maybe I’m just not going to the right shows? – there aren’t that many of them in my neck of the woods making waves. >Alicia Rae is from Waldorf, Maryland (pretty much only known as the birthplace of Good Charlotte) and is a relative newcomer to the scene. Having only gone professional a few short years ago, she is like the evening’s headliner: entirely self-taught. Her track ‘Autumn’, appropriate for this time of year, has already been played thousands of times on Spotify.

For this audience that consisted mostly of teenage girls who heart One Direction, she hit the spot with her tearjerk-y but inescapably simplistic songs about life and love, sung in a fittingly sweet voice. She explained she wrote ‘Hideaway’ while a tornado threatened outside her window; she thanked her dad for the inspirational phrase “1-2-3 forever” for another tune. ‘Sweet Melody’, the title track from her forthcoming EP scheduled to be out in 2015, can be downloaded for free from Rae’s Web site.

I have to give full credit to our David Wriglesworth for tipping Lewis Watson and recommending me to have a listen to his music. As many of you know, the singer/songwriter genre isn’t my favourite: the idea of someone dredging up old heartbreaks for art usually bores me to tears. Get on with your life already! So it takes a very special act to truly get my attention. The first and admittedly unfair thing most critics will notice about Lewis Watson is his age. But forget that he’s 22: what you will glean from the Oxfordshire native’s debut album ‘The Morning’ released this summer on major Warner Music is that his songwriting is not only emotional but entirely sincere. (If you have any question about this sincerity, read David’s q&a with Watson posted last week.)

This may be coloured somewhat by the fact that the young man is still completely humbled by the overwhelming reception he gets from fans at his shows, which includes this short first headline tour of North America this month. He better get used to it: I always wear earplugs to gigs but my word, I needed them with the amount of screaming and shouts of “I love you!” that went on between the songs. I bring up the word ‘humble’ because last month, he and his band had visa issues, which necessitated a postponement of the entire string of dates and some venue changes. Instead of blaming the American embassy in London or anyone else, he took to his old friend YouTube to record a video for his fans to personally relay his regrets for the delay. What really got me was when he specifically apologised for moving the DC area date from Jammin’ Java in northern Virginia to U Street Music Hall in downtown Washington, saying that he’d “been assured it’s only a half-hour drive away” and he hoped people would be able to make it to the new show. He wouldn’t have known that most people come into the city for shows all the time and Jammin’ Java is an outlier whose listings only represent a small percentage of our area’s gigs, but the fact that he went the extra mile to personally apologise for the change melted my heart.

He apologised again for the venue change at the show Friday night and also for the fact that he only had his bespectacled keyboardist and backing vocalist Roxanne with him. Endearingly, he implored the audience at times to imagine a full band behind him, with drum flourishes and the like, saying he was sorry that the rest of his crew couldn’t make. To be honest, he didn’t really need them and I feel like it was a special treat to witness this stripped back set that allowed his songwriting talent and the beautiful timbres of his voice to really shine. I mean, after all, aren’t all singer/songwriters’ songs initially conceived with only acoustic guitar and voice anyway?

Shrieks and sighs of delight from punters punctuated the start and finish to every one of his songs, which led him to smile bashfully but broadly in appreciation. Describing Los Angeles as “a really weird place” where he wrote the aptly titled ‘LA Song’ made the crowd laugh at his Englishness; his appreciation for grape soda (“we don’t have this in England!”) and twist top bottles in America was met with similar amusement. Hey, if you got it (and your fans love the fact you’re English), flaunt it.

The place went hushed and quiet as a tomb for a gorgeous unplugged version of ‘Halo’, presented by Lewis and Roxanne up on the edge of the front of the stage. That was a clear standout, as was a surprising cover of Everything Everything‘s ‘The Peaks’, which he prefaced by saying how much their debut album ‘Man Alive’ meant to him, and that everyone in the audience should check them out. (Good man.) Watson explained the wistfully regretful ‘Ghost’ was written shortly after he’d been friendzoned, and really, who of us haven’t be there, am I right? We also were treated to the dark yet remarkably gorgeous new song ‘When the Water Meets the Mountains’, which Watson described as the desire of spending the last moments of life before the apocalypse in joyful recognition with the one you love. Pretty heavy subject matter, yet brilliantly done.

In just this one song, he demonstrated his ability to present genuine feelings yet with the confines of pop sensibility. David reckons he could be the next Ed Sheeran; I’ve never been a fan of Sheeran’s so if I’m honest, I hope Watson’s sincerity takes him even further than him. I’m looking forward to seeing Watson’s reception in Austin at next year’s SXSW.

After the cut: Lewis Watson’s set list.
Continue reading (SXSW 2015 flavoured!) Live Review: Lewis Watson with Alicia Rae at U Street Music Hall, Washington DC – 14th November 2014

 

Album Review: Kill It Kid – You Owe Nothing

 
By on Monday, 17th November 2014 at 12:00 pm
 

If you’re a devotee of the harder end of the blues-rock spectrum, you owe it to yourself – contrary to the album’s title – to check out the new release from Bath rockers Kill It Kid. The defining feature of ‘You Owe Nothing’, in true Tap style, is the band’s willingness to turn everything up to 11. From the very first opening onslaught of ‘Black It Out’ – chopped-up guitars compete with an enormous fuzz bass to create a noise that could be the sound of two space robots hitting each other – the listener is left in no doubt that these guys mean to punch a hole in one’s eardrums… and have a party whilst doing it.

On ‘Sick Case of Loving You’, Kill It Kid reveal their party piece. Pianist Stephanie Ward steps forward to share lead vocal with Chris Turpin, and as their voices intertwine, one realises just how rare the female voice is in a rock context, and just how refreshing it is to hear it. In what can be an overly testosterone-soaked genre, Ward proves how capably a female voice can enhance the listening experience, both from an auditory and emotional perspective. She gets centre stage on ‘Blood Stop and Run’ and it’s a highlight of the whole album, in no small part due to her performance.

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After a three-track hard rock introduction, along comes the obligatory power-ballad in the shape of ‘Caroline’. Competent though it is, the band displaying quite spectacular commitment in wringing every ounce of emotive power from their performances, it’s perhaps where Kill It Kid admit they’re not afraid to be derivative when required. Gone is the interstellar guitar choppery, replaced by something that sounds like a Bon Jovi B-side. From 1992. And from that point on it’s difficult to escape the subtle but persistent whiff of cliché.

The second half of the album is comprised of mildly suspect romance-based double entendres seemingly inspired by Monty Python’s “Say No More” sketch. ‘I’ll Be the First’, ‘Don’t It Feel Good’, ‘Tried Used Loved Abused’ – they’re all laden with sexual overtones, with Stephanie Ward even making some bedroom-style noises at times. No complaints, and given the gender balance it can’t truly be called ‘cock rock’, but the overtones are certainly there – this is a record with sex on its mind.

Despite occupying the same genre segment, it’s a tall order to meet the standards of hard rock that were set in the ’80s and ’90s by legendary bands like Guns ‘n’ Roses, and despite a strong effort, Kill It Kid can’t quite reach those heights. Bath simply can’t provide the depth of sleaze as L.A., and that shows in the songwriting. What we’ve got here is a tamer, if perhaps more refined, sound. Still, it’s the first thing in years that gets close, and for that they deserve kudos – and a round of Jack.

7/10

Kill It Kid’s new album ‘You Owe Nothing’ is out today on Sire / Warner Brothers Records.

 

Video of the Moment #1679: Charlatans

 
By on Sunday, 16th November 2014 at 10:00 am
 

Tim Burgess and Charlatans have unveiled their latest video – a dreamy, sunny one – this time for upcoming single ‘So Oh’, to drop on the 1st of December. This reveal follows the one-off 7″ single ‘Talking in Tones’, which was released in late September.

Charlatans‘ hotly anticipated 12th album ‘Modern Nature’ will be released on the 26th of January 2015 on BMG Chrysalis.

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Video of the Moment #1678: Bryan Ferry

 
By on Saturday, 15th November 2014 at 10:00 am
 

Bryan Ferry now has a new promo video for the song ‘Loop De Li’, which appears on his new album ‘Avonmore’ out on Monday. What happens behind closed doors of the well-heeled? More depravity than you might expect. The video is a bit gruesome and there is some nudity, so you’ve been warned.

Ferry will be touring the UK next May and June.

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(SXSW 2015 flavoured!) Video of the Moment #1677: Carl Barat and the Jackals

 
By on Friday, 14th November 2014 at 6:00 pm
 

Carl Barat is stepping out with his new band, the Jackals, and their debut album ‘Let It Reign’ is scheduled to be released on the 16th of February 2015. While their sound is more Dirty Pretty Things than the Libertines, it’s definitely a more mature sound (read: less sea shanty and more serious and dark).

Take, for example, the new video for the LP’s lead single ‘Glory Days’, which sees their leader Barat as a soldier up against a firing squad. This is neither a happy video or one that is easy to watch, but given that this week we observed Veterans’ Day (America) and Armistice Day (Britain), stay the course until the end to see who they’ve dedicated this video to. Pretty powerful stuff.

And no, you do not need to adjust your monitor or phone screen, TGTF’s SXSW 2015 coverage will be ramping up very shortly. This is the first post of the lot, as Carl Barat and the Jackals were given a shout to the big dance in March in Austin on the first SXSW 2015 band announcement list released in mid-October. Stay tuned for more pre-festival coverage right here on TGTF.

 
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There Goes The Fear is where we tell you about the latest tours, gigs, and music we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like idiots.

The blog is edited by Mary Chang, who is based in Washington DC. She is joined by writers in the UK and America. It was started up by Phil Singer in Bristol, UK.

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