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Bloc Party / October 2012 UK Tour

 
By on Tuesday, 19th June 2012 at 9:00 am
 

It’s the return of Bloc Party and come October, they’ll be on their first big headline tour since they reunited. Er…returned from hiatus? Not really sure what to make of it. What do we know: presale tickets go on sale tomorrow (Wednesday 20 June) on their official Web site, with the general ticket sale to follow on Friday 22 June at 9 AM. We also know that support will come from Theme Park.

Friday 12th October 2012 – Newcastle Academy
Saturday 13th October 2012 – Leeds Academy
Sunday 14th October 2012 – Glasgow Academy
Monday 15th October 2012 – Birmingham Academy
Wednesday 17th October 2012 – Southampton Guildhall
Thursday 18th October 2012 – Bristol Academy
Friday 19th October 2012 – Manchester Warehouse Project
Saturday 20th October 2012 – Cambridge Corn Exchange

 

Hot Chip / October 2012 UK Tour

 
By on Tuesday, 19th June 2012 at 8:30 am
 

On the back of their new album ‘In Our Heads’ (Braden’s review here) on their new label Domino, Hot Chip have announced a tour of the UK for October. Ticket sale begins tomorrow (Wednesday 20 June). Support will be Disclosure and Django Django on selected dates (see below).

Monday 8th October 2012 – Norwich UEA (with Disclosure)
Tuesday 9th October 2012 – Leeds Academy (with Disclosure)
THursday 11th October 2012 – Birmingham Academy (with Disclosure)
Friday 12th October 2012 – Glasgow ABC (with Disclosure)
Saturday 13th October 2012 – Manchester Academy (with Disclosure)
Monday 15th October 2012 – Bristol Academy (with Django Django)
Tuesday 16th October 2012 – Southampton Guildhall (with Django Django)
Friday 19th October 2012 – London Brixton Academy (with Django Django)

 

Video of the Moment #848: Yeasayer

 
By on Monday, 18th June 2012 at 6:00 pm
 

Now, I’m one of those kids who grew up in the Reagan ‘Just Say No’ generation. So something that promotes drug use isn’t my thing. Take for example this weird new video from Yeasayer for ‘Henrietta’, with a YouTube description that it’s ‘vignette to take drugs to created by Yoshi Sodeoka. What?

Take a trip – however you fancy – with the video below.

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Live Gig Video: 2/3rds of Trophy Wife performs an acoustic version of ‘Canopy Shade’ for Cock and Bull TV

 
By on Monday, 18th June 2012 at 4:00 pm
 

Last month I posted an acoustic version of ‘Microlite’ that Jody Prewett and Ben Rimmer of Trophy Wife did in St. Kevin’s Park in Dublin while they were in Eire for the Dublin version of Camden Crawl. I hadn’t realised there was a second track recorded until I got an email from the Cock and Bull TV folks about this video for ‘Canopy Shade’. I feared the worst, as the opening track from their ‘Bruxism’ EP released in 2010 was a dance number, and dance numbers generally don’t translate well to acoustic settings. However, this pleasantly surprised me. Watch the video below.

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Live Review: Two Door Cinema Club at Rams Head Live, Baltimore, MD – 12th June 2012

 
By on Monday, 18th June 2012 at 2:00 pm
 

On the second to last date of their spring 2012 North American tour, Bangor’s Two Door Cinema Club decided to make a visit to a place they’d never been: Baltimore, Maryland. I myself don’t like the idea of trekking up a hour (usually more or in our case this night, nearly 2 hours) in traffic up the I-95 motorway, though if you ask Cheryl, she is there is all the time for gigs. Unless it’s a band that I’m dying to see that I know won’t be coming to Washington, I don’t bother. However, since seeing Two Door Cinema Club opening for Phoenix 2 years ago and watching their popularity skyrocket, I thought I better see them again before they become Coldplay untouchable and play at massive sport arenas. Because of the distance from DC, I didn’t expect the show to be sold out, until I had a look at the tour dates and noticed not just DC but Philadelphia as well had been left out of this tour.

I have always been claustrophobic. So you’re probably wondering how in god’s name I manage to survive music festivals or even sold out gigs in small, dark, confined spaces. Let’s just say I do them very carefully and with a lot of stress. Whenever possible, I arrive early to shows to get in the queue early in order to secure a desired and prime viewing and photography spot. I am of the mind that the time you arrive dictates your viewing location; you arrive late, that’s your decision, you stand wherever there is room in the back. However, as you can probably expect with a young band like Two Door, there were hordes of impolite teenage girls who don’t understand the meaning of ‘queue’, insisting instead on pushing their way to the front. Usually, I pay little mind to people like this, as long as my view is not obstructed and they’re not trying to push me out of the way. The injuries and bruising are just not worth it. But with Two Door Cinema Club, it’s different. I saw this band play to a nearly empty Constitution Hall in May 2010 and have been with them and writing about them from the beginning. If it wasn’t for some excited yet pretty nice kids around us, it would have made for a pretty bad evening.

The first opener was Bad Veins and it appeared I was the only person in the place who not only knew who they were but actually liked them. The Cincinnati duo released their first album in 2009 on American label Dangerbird (who have since signed Delphic and Beady Eye), yet I’m guessing something must have happened because then this label relationship dissolved and they released a new album in April on Austin label Modern Outsider. I was fine with their ‘former’ sound that was definitely on the alt side of rock, but I’ve noticed with new tracks like ‘Dancing on TV’ (video below), they’ve adopted a more poppy sound, a poppier sound that appeared to be going over well with the rabid Two Door crowd.

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So it was most unfortunate that near the end of their set, singer Ben Davis went into his mike stand and fell off the stage. It happened so fast and people rushed to his side, I honestly thought that it was part of the act. But evidently it wasn’t: there was some dicey moments as it was revealed that he was bleeding from the back of his head from the spot where he hit his head on the concrete. What an ill-timed and dramatic ending to their set, just as they’d started to get the audience behind them. He finally got up and walked off, saying “sorry guys!” with a smile before leaving amid crowd cheers.

From what I can tell as a UK music blog editor, Clap Your Hands Say Yeah is a hell lot bigger abroad than they are at home. We’ve even given away tickets to their shows before. Their first song in Baltimore. was ‘Satan Said Dance’, which features the word “Satan” being repeated. A lot. The band went on hiatus in 2007: a 4-year album drought that broke fans’ hearts around the world but now they’re back, though I’m not really sure a Two Door Cinema Club tour is the way to win their fans’ hearts and minds back. Before heading up to Baltimore I read a review of this tour in Florida, where the blogger mused that the show sold only because CYHSY fans were in attendance (a bit of a backhanded compliment to Two Door regarding the sold out show). I can only say for those on the floor, everyone was there for Two Door, with some of the antsy younger fans yelling, “get off the stage!” and” we want Two Door!” in the hopes that CYHSY would truncate their set. All in all, they persevered in difficult conditions, even if their energetic music wasn’t to the taste of most people there.

And then came time for the long-awaited appearance of Two Door Cinema Club. I am probably showing my age – and years of gigging experience – when I say that I’m not impressed with over the top strobe lighting and if there is too much of it, I look away. Nevertheless, this was the first time in the DC/MD/VA area, not counting Virgin Free Fest last summer, where they brought their own lighting rig, and the difference it made in the overall atmosphere was astounding. This was obvious by the palpable increased excitement you could feel down on the floor. For many of these kids, this was probably their first big show with lighting to befit an arena, let alone a place like Rams Head. Thank goodness for earplugs: I’m pretty sure my ears would have popped with all the girls screaming.

The majority of punters would have been fine if the band had just stuck to tracks off ‘Tourist History’, but as any Two Door fan worth his or her salt knows, they’re finishing up album #2 and have been previewing new songs on this trip around our country. One of them, called ‘Sleep Alone’, made the festival rounds last year and has been popping up in the encore on this tour; I filmed a couple other videos, which will appear on TGTF later this week.

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So how did I feel after this show? This was my fourth time seeing Two Door and having been a supporter of them ever since ‘Something Good Can Work’ was being played on BBC Radio in late 2009, I am so proud of where they are and them being so successful, because it’s proof hard work and real talent pays off. But I’m getting vibes of those girls who first watched the Beatles at the Cavern when they were unknown outside of Liverpool; Two Door don’t ‘belong’ to me anymore, they belong to everyone, far and wide on this great planet of ours.

Which is fine and it’s just the universe running its course, because I knew in my heart when I first queued up a sampler of theirs from Kitsune at Christmas 2009, it was obvious to me immediately that they were destined to bigger, better things. But there is still a part of me that yearns for days when we first met, when they were traveling all over America with Phoenix, wide-eyed and eager to learn the touring musician lifestyle from a band they so looked up to. Gone are the days when I could easily have gone up to them after a gig, to congratulate them on a great show and give them a hug of encouragement. What’s next for Two Door Cinema Club? If this show is any indication, their star will only burn brighter.

 

MP3 of the Day (and more!) #562: Little Comets

 
By on Monday, 18th June 2012 at 10:00 am
 

After the release of their fab debut album ‘In Elusive Search of Little Comets’ in 2010, I’ve been somewhat desperate to see Little Comets live. I still haven’t gotten my chance – yet – but here’s something that smoothes things over somewhat. The band have recorded an acoustic version of ‘Language is Over’, part of the ‘Jennifer And Other Short Stories’ EP that came out on the 11th of June. (We featured title track ‘Jennifer’ previously as a Video of the Moment here.)

Today to start off the work week we’ve got both this version of ‘Language is Over’ for free download and the promo video below. Enjoy.

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About Us

There Goes The Fear is where we tell you about the latest tours, gigs, and music we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like idiots.

The blog is edited by Mary Chang, who is based in Washington DC. She is joined by writers in the UK and America. It was started up by Phil Singer in Bristol, UK.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it. If you want a track removed, email us and we'll sort it ASAP.

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