Great Escape 2018: Day 3 Roundup (Part 1)

By on Thursday, 7th June 2018 at 2:00 pm
 

Before I’d even set foot in the country, I had already received loads of band recommendations from friends and industry folk alike on who to see at The Great Escape 2018. Many of them named artists I’d already seen, in Australia at BIGSOUND 2017, past SXSWs or elsewhere. I reminded them that the whole point of me coming out all the way from America was music discovery and finding new talent to spread the word on. My Saturday at The Great Escape 2018 ended up being a mix of new and old favourites, in some cases showing me that something familiar to me in a previous form could be made new, or at least different to what I had been accustomed to. In case you’ve forgotten already, the 19th of May 2018 was also the day of Prince Harry’s wedding to American actress Meghan Markle. Being in Brighton to focus on music discovery while all that faff was going on at Windsor Castle was actually a godsend. (And no, cousins, I didn’t buy you a commemorative plate when I was in London, stop asking.)

Like Friday, I began my day again on Saturday at the decent hour of noon. Having studied classical piano at a young age, I can appreciate the value of a classical music education. Michael Aston was formerly the keyboardist of C Duncan’s live band; the two of them had met when they were studying at the Royal Conservatoire of Scotland in Glasgow. The Brighton-based Aston has his own solo project now, Knightstown, which Aston described to me is driven by his desire to create and to write songs.

Knightstown Saturday the Great Escape 2018 3

Live, Aston is joined by Matthew Hodson on beats and electronics, who looked awfully familiar to me. How’s this for spooky: 3 years ago when I was in Brighton last, I was sat in St. George’s Church for the Erased Tapes showcase and I struck up a geeky conversation about Rival Consoles with the bloke next to me. Yup, you guessed it, the guy was Hodson. Everything happens for a reason and when it’s supposed to. While the rest of the non-music-caring country were watching the wedding, Aston and Hodson were hard at work, opening the FatCat Records showcase at One Church. With Aston’s floaty falsetto and piano representing the old garde and synths and beats for the new, Knightstown is the beautiful symbiosis between the two. The music is equal parts reverential and inventive, exemplified by singles ‘First Cry’ and ‘Charlatan’. I’m looking forward to hearing a debut album in the future.

Of the many suggestions I received from BBC Scotland’s Vic Galloway that turned into a tip of my own, I still had Vistas left to see in Brighton. The big crowd at the Hope and Ruin was proof I wasn’t the only one eager to hear the group from Edinburgh play. The guys themselves were very excited, ready to launch their newest single ‘Tigerblood’ the following Friday. For some reason, I just couldn’t get into their music, their guitars sounding tinny and lacklustre. Maybe I was standing in the wrong place? I’ll give them another chance somewhere else in the future, hopefully in a place where I can actually breathe. I’d like to see if they sound better in Scotland…

Indoor Pets Saturday the Great Escape 2018 2

A last-minute addition to the Alternative Escape line-up were indie rockers Indoor Pets (formerly Get Inuit) at a teeny, boiling upstairs room. (Starting to notice a trend here?) They were special guests on the echochamp and DICE showcase at the Western pub. This was my first chance to see them after the announcement that they’d signed to Wichita Recordings. I haven’t gotten around to tagging all my old articles here on TGTF on them with their new name, so you’re going to have to bear with me a bit longer on that. With the triumphant confidence that comes with after signing with a label (maybe I just imagined that?), the band were in fine form, blasting out ‘Barbituates’ and ‘Pro Procrastinator’ with a fury I don’t think I’ve seen from them before. Is that the triumphant confidence that comes with after signing with a label, or did I just imagine that?

Indoor Pets Saturday the Great Escape 2018 3

I try to avoid the Prince Albert venue space like the plague because every time I’ve been there during The Great Escape, it’s been sardine city. The only real place I feel comfortable is by the entrance to the room, which turned out to be a good location. I’ve seen Slow Club a few times live and feeling like that act may have run its artistic course, I thought I’d see Rebecca Taylor as Self Esteem. Why not, right? Right before her set, she’s standing next to me by the door, moaning aloud that she’s worried about how she’s going to get back onstage. She’s a polite Northerner, after all. Bless. I told her to “get in there, honey” and push people out of the way if she has to if they don’t recognise her. Add “moral support to acts” under “guitar minder” in the festivals skills section of my CV.

Self Esteem Rebecca Taylor Saturday the Great Escape 2018

Taylor finally got back onstage with her female “staff”, all resplendent in their ‘squirt not pee’ red t-shirts. Her newer, electronically and rhythmically reliant music is so different than what I consider ‘classic’ Slow Club, it’s jarring. I guess it’s been too long since I’ve seen Slow Club, I totally forgot she was a drummer. Her debut single as Self Esteem, ‘Your Wife’, has been described as a I don’t enjoy the sound as much, but I will say that regardless of how you feel about Self Esteem’s songs, you can’t deny they provide a showcase for Rebecca Taylor’s voice, which has been and will always be beautiful. I might come around on her newest project yet.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

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