Great Escape 2018: Day 1 Roundup (Part 2)

By on Monday, 4th June 2018 at 2:00 pm
 

Before I headed out to blighty, I joked to my blogger friends that I didn’t think I would be eating dinner any night at The Great Escape 2018. Why? Each night, I had bands on my schedule starting as early as 6 PM. I thought, hm, maybe everyone will be too busy drinking in a pub with their mates or on the beach that the 6 PM shows won’t be busy. WRONG! London via Limerick pop trio whenyoung were playing to a massive crowd at the Haunt, one of the lesser-known venues of The Great Escape. The closest I could get to the stage for this London in Stereo showcase was standing next to the soundboard in the back. Their female-fronted guitar pop was just the thing for many punters in Brighton to start their Thursday night with, many moving and grooving in the Haunt to the band’s infectious melodies. Check out whenyoung’s newest single ‘Heaven on Earth’, released 2 Fridays ago.


There wasn’t far for me to go for my next stop. I’d advise against visiting the gender neutral bathroom stalls at the Arch (like walking into a pitch-black room, seriously) but the venue was serviceable enough for the Clash magazine showcase. Don’t be confused that there are no actual females in the all-male Sea Girls. The Londoners are a band favourite of NME and Huw Stephens of Radio 1 and judging from their merch, they refuse to take themselves seriously (‘Indie Landfill’ is not a phrase from the end of the Noughties I’ve not heard bandied around these days). Like whenyoung before them, they’re firmly in the pop camp, but Sea Girls swing back and forth between anthemic pop and muscular pop/rock. I have to admit that because my musical taste has been going towards the more weird and unusual lately, I wasn’t wowed by their performance, but I can see that with a little luck and the great songs they’ve written so far, they have the potential to gain a massive following very quickly. Watch this space.

Sea Girls Thursday The Great Escape 2018

As I’ve probably mentioned in past Great Escape reports, Brighton is a hilly place. I don’t care how well you think you’ve organised your schedule. At some point, you’re going to have to walk from the lowest point of the seaside back up to the Brighton train station at the top of the hill. (Incidentally, I did this back and forth several times Friday night because, well, sometimes, needs must.) To make things easier on myself, I took it easy up the hill to arrive at the Green Door Store for the last few songs of New York’s Bodega at the Upset magazine showcase. As one might rightly expect, American bands are big draws at a festival like The Great Escape, and there were plenty of folks in the main room at the Green Door, plus those who spilled out into the bar area before it. Knowing that Austin Brown of Parquet Courts produced their upcoming debut album to be released this summer should give you some idea of Bodega’s punky, devil-may-care kind of music. Not my thing, but they might be yours.

Black Futures Thursday The Great Escape 2018
apologies for the quality of this photo; clearly, it’s not my best work, and it didn’t help that it was nearly pitch black during Black Futures’ performance

London duo Black Futures describe themselves on their Facebook as “A no-holds-barred aural assault of Anarchic Electro Psych Punk Noise that is something like Death From Above and the Chemical Brothers’ bastard offspring”. Their recorded sound was intriguing enough for this hard rock and electronic fan to tip them in a preview of Live at Leeds 2018 and The Great Escape. Synths and guitars aplenty arrived on stage, while their mask and hazmat suit-dressed non-musical companions stood guard down front. Naturally, the spectacle caused the audience’s anticipation for the band to build. Programmed beats came in first, then the wailing guitars. Then, a ferocious scream from one of the guys on stage. You didn’t know if you should shake a tail feather or headbang. Me? I opted for the latter.

]Mansionair Thursday The Great Escape 2018

The main problem with the Green Door Store, which has been true every time I’ve visited, is that the place is like being inside a pressure cooker: hot, sweaty and uncomfortable. The upstairs venue space of the nearby Prince Albert is probably the only place worse for someone with claustrophobia, while the Hope and Ruin (formerly the Hope) offers the same level of discomfort. In order to take a breath, I dove for the exit, able to take in the precious fresh air all the way on my walk to Komedia. I couldn’t help myself: I just had to pop in to see Mansionair at one of their many appearances in Britain over the last 6 months. Even though I only saw them play two songs during their set at the ATC Live showcase, it was crystal clear from their closing with single ‘Astronaut (Something About Your Love)’ that they were a huge hit with the Great Escape crowd, their arms to-ing and fro-ing in time to frontman Jack Froggatt’s directions from the stage. The sexiness and baby-making potential of Mansionair’s sound wasn’t lost on punters, as I uncomfortably stood amongst lip-locking couples.

Back down closer to the seaside, I stopped in to the basement venue of the Walrus for another act I tipped ahead of Live at Leeds 2018. Who Zapatilla is remains a mystery, his identity cloaked both literally and figuratively. While listening to his music on Spotify made his music seem dancier, the few songs I witnessed live Thursday evening were more subdued and less engaging than I’d hoped.

Zapatilla Thursday The Great Escape 2018

Feeling less than energised from Zapatilla’s set, I thought I might change gears completely and end my night with a bit of singer/songwriter Blanco White. As Carrie wrote previously, Englishman Josh Edwards’ project is infused with Latin-American influences. By the time I figured out where the Unitarian Church was behind all the construction work, I sadly learned the intimate, all-seated venue where I’d previously seen a magical set by Marika Hackman was one in, one out. So much for planning. Feeling slightly defeated, I decided to call it a night.

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