SXSW 2018: bouncing back Thursday night with the Reeperbahn Festival and different genres – 15th March 2018 (Part 3)

By on Tuesday, 3rd April 2018 at 2:00 pm
 

After removing my wet clothes and hanging them up in ingenious ways off of various pieces of furniture in our hotel room so to not block Carrie’s entry, I returned into the Austin night, buoyed by the brilliance of one Benji Lewis from Australia. There’s been an incredible buzz about Hamburg rapper Ace Tee (say that slowly, and you’ll get it…) and given my good experiences at Friends, I thought I’d stop in at the Reeperbahn Festival showcase there and have a look-in at her and her rhymes.

Not sure what happened with her appearance, but definitely an Oriental woman and not a German-African one was onstage by the time I arrived at Friends. Apparently all the Koreans in the bar knew CIFIKA would be appearing. The twenty-something is an underground favourite back home in South Korea, and she’s spending quite a bit of time in our country post-SXSW on what Billboard has called the longest headline tour of the U.S. by a Korean act ever. None too shabby. An accomplished producer, her electronic creations are already being compared to those of Bjork. And yes, people. She does all her own music. Why is this such a difficult concept to grasp?

CIFIKA Thursday at SXSW 2018

I popped next door to B.D. Riley’s to get a taste of another band from Asbury Park, New Jersey, Dentist, starring husband and wife team Justin and Emily Bornemann. I wondered what kind of people would name themselves after the most unfairly maligned member of the medical community. Instead of making you feel as uncomfortable as if you’re having a root canal, the music of Dentist is actually pretty surf-y. Their quick-moving songs with right-sounding guitars with echoey vocals from Emily sounded like having an ice cream by the beach on a sunny day. Which is pretty impressive, considering I saw them in the dead of night at 10:30 PM.

Dentist Thursday at SXSW 2018

What’s nice about every SXSW is that almost every band plays more than once, so you can see them again if you wish. As mentioned in my review of them performing Wednesday afternoon at German Haus, psych rockers Blackberries revel in doing something different than you would expect from a German band in the 21st century. As the band format is increasingly endangered, we need to support bands like them so we have them making music. Carrie would probably be fine with everyone being solo singer/songwriters going forward, but I’m not!

Blackberries Thursday at SXSW 2018

The Happy Happy Birthday to Me showcase at Seven Grand was running behind schedule, which made my waiting for my intended act longer. I tried to get a brief moment of shut-eye before being admonished by bar staff that “it looks bad” if someone is asleep in a bar. Because I look like I’m drunk? Or because it looks like who you’ve got on is boring? The inexplicably named duo Eureka California from Athens, Georgia, blasted through song after punishing song. They’re so punk, I don’t think they ever introduced themselves. Or maybe they did, and I couldn’t hear them doing it?

David Gedge of the Wedding Present at SXSW 2018

Despite a lengthy soundcheck, during which the bartenders behind me made fun of the vocal checks, I wasn’t disappointed when The Wedding Present finally took the stage. David Gedge is an elder statesman and ambassador of British indie rock now, a position he seems to revel in with all of the live performances he’s willing to put himself and his band through. (Check out my interview with The Gedge just prior to SXSW 2018 through here.) Considering their popularity, it felt odd that they were playing such a small club, and to so few people. To be fair, these were 50 or so uber fans who had appeared near midnight to see them at the Seven Grand, and they were rewarded by having the opportunity to be up close and personal with the band. Chalk up another point for SXSW.

Because of the stage delays at the Seven Grand, I had to leave in the middle of their set to make my way down to the Velveeta Room in time to catch Music from Ireland’s last act of the evening. I somehow missed the mysterious Talos (pronounced “TAH-los”) from Cork at Hard Working Class Heroes 2016, so I was trying to make up for lost time. Seems like caught him at a good time, as it appears he’s making traction here in America. Or, at least, he’s made some superfans in Texas who were plying his backing band with beers?

Talos Thursday at SXSW 2018

The beguiling strains of synths with Eoin French’s gentle, emotional falsetto on the sweeping ‘Odyssey’ proved to be a mesmerising combination. Some young ladies down the front at the venue looked like they were about to faint. (If you wondering, yes, French is quite the looker and seems to be poised to sneak into that cute, yet scruffy Irish boy spot once occupied by Kodaline.) With the added backing of a full live band, the Talos sound is one of bombast, of eye-opening ambition. I am always amazed by the music that comes out of Ireland. I’m sure I’ve said it before: the Irish have faced so much hardship, so much oppression, so many tears. And yet they are able to write and sing some of the most beautiful music ever created. For more photos from my Thursday night at SXSW, visit my Flickr.

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