SXSW 2018: Tuesday morning brunch with Output Belfast and my first taste of this year’s music conference – 13th March 2018

By on Wednesday, 28th March 2018 at 11:00 am
 

Header photo: emcee and organiser Mark Gordon with Touts

Following my frenzied Monday night at SXSW 2018, I started off Tuesday at a slightly more relaxed pace, with my third visit to the Output Belfast Boat Party. The party consists of brunch on a boat, floating down the Colorado River, with entertainment provided by the some of the finest musicians Northern Ireland has to offer. While the brunch and the scenery are always pleasant for this affair, it’s really the high quality of the music that draws me in every year, and Output Belfast didn’t disappoint in 2018.

Lost Brothers internal 2

Following brief speeches by organiser and emcee Mark Gordon of Score Draw Music and Lord Mayor of Belfast Nuala MacAllister, the music began with folk duo The Lost Brothers, who had a hand in organising the inaugural Northern Irish boat party back in 2015. They were back in Austin this year with an excellent new record in tow, titled ‘Halfway Towards a Healing’. You can read editor Mary’s review of the album through here.The album was recorded in my adopted hometown of Tucson, and the distinct southwestern desert flavour of the new songs, along with The Lost Brothers’ yearning vocal harmonies, actually made me feel a bit homesick. Midway through their set, the Lost Brothers were joined by Austin musician Ragtime Willie, who had also appeared here back in 2015 and who added the bright tone color of resonator guitar to the muted sonic mix.

Joshua Burnside internal

After a brief stage break, 2017 Northern Irish Music Prize winner Joshua Burnside began his set. As our Adam McCourt reported in his review of the prize-winning album ‘Ephrata’, “the album seems to serve a pivotal point in Burnside’s career, transitioning him from indie folk to a strand of alt-folk that incorporates world music, found sounds, synths and subtle experimentations with techno.” Burnside’s eclectic sound was more rock oriented than I expected in this live performance, where he was accompanied by a brilliant band comprised of drums, bass, and trumpet alongside his own electric guitar.

Touts internal

Lest we in the audience be lulled to sleep as our boat ride drifted from morning into afternoon, the final act on the docket seemed deliberately designed to recharge and revitalise our senses. Derry punk-rock outfit Touts gave off a sullen demeanor that disguised their raw, frenetic energy, and they made more much more exuberant noise than might be expected on a polite brunch cruise. These lads are young and still relatively new on the scene, but in terms of unfiltered potential, I’d put them high on the list of acts to watch from SXSW 2018. Touts also appeared on the BBC Introducing showcase at Latitude 30 on Tuesday night; you can watch part of that performance just below.

After disembarking from the boat, Mary and I parted ways (you can read her Tuesday afternoon recap here), and I headed to the convention center to catch my first conference session of the week. In The Horseshoe: The Roots of Canadian Rock n’ Roll, author David McPherson shared his thoughts on celebrated Toronto music venue The Horseshoe, drawing from his recent book on the topic, titled ‘The Legendary Horseshoe Tavern: A Complete History’.

David McPherson

McPherson was joined by Horseshoe owner and concert promoter Jeff Cohen, who talked about the challenges of maintaining a high quality music venue in an age when so many mid-size venues, notably New York’s CBGB and The Bottom Line, have been forced to shut down. Cohen emphasised his focus on two main factors: his customers and the artists they come to see. Patrons are consistently drawn in by food, drink and the opportunity to interact with other music-loving patrons, while the artists are rewarded with a quality performance opportunity, including full crowds to play for each night. From the sounds of things, the Horseshoe is likely to be a mainstay in the Toronto live music scene for many years to come. If you find yourself in southeastern Canada for whatever reason, it might be worth your time to check the Horseshoe’s schedule of events–chances are one of your new favourite bands will be gracing its stage.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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