Live Review: The Coronas with Rachel Levitin at DC9, Washington, DC – 12th November 2017

By on Thursday, 16th November 2017 at 2:00 pm
 

As mentioned in my review on Monday of the Sherlocks gig there last week, DC9 has really come up in the world. It was previously one of my favourite places to see bands in Washington but after seeing The Coronas play there on Sunday night, I think DC9 has won the top prize. A near sold out show for the Irish rockers made for a rowdy but extremely fun and interactive show, as you will read below.

The opener for the night was local singer/songwriter Rachel Levitin, who was joined by Alex Touzinsky on fiddle. Whether it was planned or not, as soon as I saw the fiddle come out during the soundcheck, I couldn’t help thinking this was an act perfect to open for an Irish band, am I right? Though the bespectacled artist – and her adorable acoustic guitar, I might add – might be small in stature, Levitin makes up for it in sass. She seems equally at home between blues-inflected and more traditional singer/songwriter-y pop numbers.

Rachel Levitin

She explained that the story told in ‘Get Back Up’, her most recent single, was based on a real-life experience of walking and then falling on her face, which she then turned into an inspirational song. The recorded version of this song will remind you of angsty guitar rock/pop from the ‘90s. ‘Lucky Penny Blues’, which she noted was her grandfather’s favourite among all of her music so far, is on the sultrier side of things, showcasing her strong voice. No tentativeness here. Will some independent label please snap her up? Simon Raymonde, are you listening?

The Coronas

The Coronas are rather special to me, because I ‘found’ them and not because someone was pitching them to me. I had been trawling for new music to listen to from Ireland and impressed with ‘Tony Was an Ex-Con’ smoky ballad ‘Someone Else’s Hands’, I decided to write a Bands to Watch feature on them. This was back in November 2010, after they’d already released 2 albums. It probably also helped loads that my heart had just gotten stomped on by a two-timing musician and Danny O’Reilly’s melancholic thing was just the right thing for me to listen to while I bawled my eyes out. Genre-wise, The Coronas are a rock band primarily, but they also do the rock/pop mélange quite well too. We’ve written a fair bit on them since my discovery of them. I am honestly baffled why they aren’t as massive in the UK as they are in Ireland, where they regularly sell out large venues.

Given their track record back in Eire, it’s an exceptional treat to see them play in an intimate, 200-capacity venue. Judging from the booming accents lubricated by alcohol around me, I got the impression that quite a few fans came over from Ireland for this show. Impeccable thinking. Us Washingtonians hadn’t seen the Coronas in town in 6 years, at which time we were treated to a brand new, disco beat-led, yet to be titled song that turned into ‘Addicted to Progress’ on 2011’s ‘Closer to You’. Hearing it on this night, recalling when O’Reilly asked us for help to name it at the now long gone Red Palace on a cold March night in 2011, then thinking about their incredible ‘progress’ over the years in Ireland couldn’t have been sweeter.

The Coronas

Earlier this year, the Dublin quartet released their fifth album, ‘Trust the Wire’, so the set list was heavy with tunes from the LP. This included opening track ‘We Couldn’t Fake It’ and ‘A Bit Withdrawn’, explained by O’Reilly as that sweet spot you have with a partner where you can be sat with them and nothing has to be said between you two because it’s all understood. In case anyone forgot where the Coronas were from, O’Reilly jumped into the crowd with his acoustic guitar to lead a bare version of ‘Heroes and Ghosts’ to celebrate the 10th anniversary of their debut release, going into full Irish language mode on one of the verses. This surely must have wowed the youngest audience members, two boys under the age of 10 who were brought along to the show by their mother.

Then they were back to older favourites for the encore, which like nearly every song they played that evening in Washington, were met with raucous cheers. The crowd sung along to ‘San Diego Song’ and ‘Just Like That’ with gusto, at times allowing O’Reilly and band to take a breather, listening to the words being shouted back at them. It was one of many beautiful moments at this show. Yes, I know, some people just adore the 9:30 Club. But for my money, I’d rather come to DC9 and have an experience like this that won’t be duplicated anywhere else.

The Coronas

The Coronas have two more shows in North America (Friday at the Echo in Los Angeles and Saturday at Brick and Mortar in San Francisco) before they head down under for a series of club shows. They return to Dublin the first week of December for three shows at the Olympia, on the 5th, 7th and 10th of December.

After the cut: The Coronas’ set list.

The Coronas’ Set List:
Real Feel
Get Loose
Addicted to Progress
A Bit Withdrawn
Who We Are
Dreaming Again
We Couldn’t Fake That
Listen Dear
Gut Feeling
Heroes or Ghosts (acoustic solo by Danny O’Reilly, and delivered partly in Irish)
Someone Else’s Hands
Closer to You
What a Love
The Long Way
Mark My Words
//
Give Me a Minute
All the Others
San Diego Song
Just Like That

Tags: , , , , ,

Leave Your Response

* Name, Email, Comment are Required

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it. If you want a track removed, email us and we'll sort it ASAP.

E-mail us  |  RSS Feed   RSS Feed  

Learn More About Us