Deer Shed Festival 2017: Day 3 Roundup

By on Tuesday, 15th August 2017 at 2:00 pm
 

Words and photos by Martin Sharman, formerly Head Photographer at TGTF

Sunday morning at Deer Shed Festival 2017 dawns brightly, and last night’s storm in a teacup is but a fading memory. Traditional Sunday morning activities are executed: the consumption of coffee and pork products in bread, playing in a giant cardboard city, perhaps a tutorial on how to write (hint: let your consciousness stream away, don’t edit as you go, grammar and spelling can go hang). There’s only a few hours left of the big activities like the science tent, so it’s time to get on it again. But by lunchtime, the kids had been offloaded onto some friendly passers-by, which meant a good opportunity to sit down in one place and let the main stage do its thing.

Flamingods at Deer Shed 2017

And what a thing it was. SXSW 2017 alums Flamingods bring Bahraini psychedelic shoegaze – not a genre you encounter every day – and it’s superb. Frontman Kamal Rasool plays a bizarre traditional guitar-ish instrument (not unlike the three-string cigar box guitars being sold by Chickenbone John elsewhere on site), there’s much instrument-swapping and the ever-present thwack of crazy drums. They end with an epic 10-minute jam, the sort you can sway around to seemingly for hours on end. The crowd is massed and appreciative, and it becomes clear that this particular Sunday isn’t the traditional Deer Shed warm down. It’s actually shaping up to be something very special indeed.

Teleman at Deer Shed 2017

Teleman have quietly matured into a band of great importance. In the early days, they could be a bit too aloof for their own good, but two albums in, today’s performance presents their delicate songs in a muscular, festival-ready form. Classics like ‘Cristina’ and ‘Dusseldorf’ carry mass appeal hidden in their precise arrangements, and they properly rock out towards the end. They’ve surely made a plethora of new fans here today.

And so we come to what is arguably, in this writer’s opinion, the finest bill-topper in Deer Shed history. Neil Hannon as The Divine Comedy marches on stage in full French Revolutionary regalia, as the note-perfect band launch into ‘Napoleon Complex’. And thus begins a masterclass in how to do witty, tuneful, intelligent – and most importantly, inclusive – social commentary through pop music. ‘A Woman of a Certain Age’ is a touching discourse on advancing years from a female perspective, and ‘Catherine The Great’ takes on a further poignancy when dedicated to his partner and fellow musician Cathy Davey. After a quick costume change, ‘The Complete Banker’ gently knives society’s favourite punching-bag profession to musical accompaniment that the Sherman brothers would be proud to claim for their own back catalogue, yet Hannon has the good grace to apologise to any bankers actually in the crowd.

Neil Hannon as The Divine Comedy at Deer Shed 2017

But they know what we’re all waiting for. Unafraid to delve into the earliest reaches of their back catalogue to please a crowd, we lap up ‘Generation Sex’, ‘Something for the Weekend’, and, gloriously, ‘National Express’. Moments when an entire crowd – and possibly an entire festival – are united around one band, one song, one line of lyrics, are rare indeed, and The Divine Comedy deliver. A brilliant moment of joy, togetherness and love amidst the turbulence of modern life. That’s what Deer Shed is all about.

Regardless of my personal views on one or two of the acts, it should not be inferred that this was anything other than yet another brilliant chapter in the Deer Shed story. Stuff that is taken for granted but really shouldn’t be – superb food, properly clean toilets, ample camping space, decent beer – was all present and correct. I’m very excited about what a little birdie whispered about a potential lady headliner for next year. And thus Deer Shed grows with the kids that revel within it – every year is different, bringing new challenges and fresh joys – and we love it all the same.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

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