SXSW 2017: Sounds Australia’s Sound Gallery II and the British Music Embassy Saturday afternoon – 18th March 2017

By on Tuesday, 4th April 2017 at 5:00 pm
 

By the time you reach Saturday at SXSW 2017, you’re not longer the eager, bright-eyed and bushy-tailed person who arrived in Austin just days before. You can’t remember where you put your shoes last night, you’re dragging your feet and your sunglasses are no longer a fashion staple, they’re a necessary evil to hide the exhaustion that your eyes will betray.

Saturday for me at SXSW is all about taking it easy, picking up the final few bands you haven’t seen, seeing again anyone who really wowed you and hopefully getting in brunch and a Bloody Mary (me) or mimosa (Carrie) somewhere. We shalt not speak further of the fact that by the time I made it to the British Music Embassy on this day, they had completely run out of Bloody Mary mix (?!?!?), so let’s focus on the acts, shall we?


As the opening bookend to SXSW on Tuesday in part I of it that preceded it, Sound Gallery II at B.D. Riley’s on Saturday afternoon is a civilised, chill way to ease yourself into Saturday. I arrived in the middle of a set by The Coconut Kids. The one thing that Austin lacks is a tropical atmosphere, something the Adelaide ‘world folk’ group was all too happy to provide through their music. Lest you think they’re one-dimensional, one of their lead singers Julian Ferguson brought forward a tender, slower song about the Brussels terror attacks. Rather than be a buzz kill, it was nice to see there was more to this folk band than their sunny exterior.

All Our Exes Live in Texas, Sound Gallery II, B.D. Riley's, Saturday 18 March 2017

Country and folk girl group All Our Exes Live in Texas came highly recommended by many friends from Oz and beyond. Not since the Staves at my first SXSW in 2012 have I experienced such tight, female, multi-part harmonies in Austin. They also have two new, very young fans: in the audience at B.D. Riley’s were a couple with two young children, both sporting hip-looking ear defenders that you normally don’t see anywhere except outdoor music festivals. Good on them. Speaking of ear defenders, stay tuned for Carrie’s report on the free hearing tests the both of us did in Austin. (Small spoiler: my hearing is better than Carrie’s, no doubt with my longer use of proper earplugs. Smirk.)

Hamish Anderson, Sound Gallery II, B.D. Riley's, Saturday 18 March 2017

Hamish Anderson is no stranger to SXSW, having come out here for the first time in 2015. After pop and folk acts, this Melbourne singer/songwriter’s approach to blues rock provided a welcome contrast to the acts that came before him. Masterful is probably the best word to describe Anderson’s guitar playing ability, something I’m sure will stand him in good stead for years to come. It is sometimes easy to forget that we wouldn’t have rock ‘n’ roll if blues had not come out of the Mississippi Delta before it. He and I talked about the debt we have to the originators in this interview I had with him on 6th Street after his blazing Sound Gallery II set.

More so than any other afternoon, Saturday at the British Music Embassy sees more people who have not frequented the venue for the rest of the week. The weekend warriors have descended on Austin and naturally, the natives are curious to hear what our friends across the water have to show us. This afternoon was devoted to pop from Britain. In salmon-coloured crushed velvet trousers, Welsh popster Casi was ready for her second performance at Latitude 30 after an early evening appearance the night before at the BBC Introducing showcase. I previously saw the Bangor native wow the crowd at Patterns 2 years at the Gorwelion Horizons Welsh showcase at The Great Escape 2015.

Casi, British Music Embassy, Latitude 30, Saturday 18 March 2017

It’s a cliché, I know, but the girl is all grown up. Even more so than is usual for entertainers from her region of the UK, Casi is very proud of her Welsh heritage. I’m glad she’s done nothing to change her unique accent, and with the electro and r&b beats backing her, she provides a refreshing combination of new and familiar. The punters of Latitude 30 rewarded her with well-deserved cheers. Check out her performance of ‘The Beast’ at the BBC Introducing show below.

Youngr, British Music Embassy, Saturday 18 March 2017

Youngr, aka Dario Darnell and son of Kid Creole, would be the last act of the afternoon showcases at the British Music Embassy for the week. Either everyone was well sauced or his reputation must have preceded him, as the crowd went absolutely mental for him. I had to get out of there to get some air! Like a lion (have you seen his amazingly mad hair?) surveying his pride, he held court with his highly accessible blend of soul and electronics. Whether he was singing or going spare on his drum kit, he had a whale of a time at Latitude 30, and so did his audience.

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