Handmade Festival 2016 – Day 1 Roundup

By on Wednesday, 11th May 2016 at 2:00 pm
 

If the only music festival you’ve been to (and this is potentially more aimed to UK readers than U.S. fans) consists of standing in a muddy field in wellington boots or becoming heavily inebriated while trundling to the next stage to see a mildly hyped-up indie band, then an indoor festival, or metro-festival, is a highly different experience. Leicester’s 4th annual Handmade Festival took place on the May bank holiday with the stated goal of gathering “the best new and forward thinking music, comedy, art, film, performance and photography and bring(ing) it all together for one weekend”.

When I first arrived at the University of Leicester on the Friday, the welcoming sign of ‘H A N D M A D E’ spelt out up the stairs in large plastic letters beckoned festival-goers into the venue and gave a great indication as to how the festival sees itself: welcoming and with a hint of non-seriousness. Being a completely independent venture, Handmade is unique in that it prides itself on being a place to discover brand new things, and this is most prominent in its musical lineup. The headliners themselves are tenured enough in the industry to draw a crowd, particularly We Are Scientists (pictured at top), Deaf Havana and Lonely the Brave, who jointly win the award for “Largest T-Shirt Representation”. With these crowds drawn in, it was up to the acts beforehand, both local and national, to cement the weekend, and this they did.

On Friday, we were given the choice of either Lacura or Estrons, two bands that cover the rock spectrum nicely, with Lacura taking on the dreamscape, ease-you-in side of things and Estrons taking the face grabbing route. With both sets comfortably and officially kicking things off, the small crowd that had gathered at this early stage of the festival soon ventured to the weekend’s main stage, Academy 2, to witness Ash Mammal. This was the first sign that it would be easy to find your new favourite or soon-to-be favourite band here. Ash Mammal brought a raucous set, reminiscent of early Placebo and not easily forgotten.

An important aspect to mention before heading into any more detail on the weekend is the venue layout. In total there were three main stages for music, not including the smaller stages in the venue landing area. The main stages were the aforementioned Academy 2, the Academy 3, which was found by venturing down into the basement of the complex and through a labyrinth of corridors into a seeming ex-dance studio, and also The Scholar Bar. The initial trial of finding your way around the complex was confusing, but after one trip around the available open areas, it turned out to be a well-laid out routing that consisted of a multi-layered circle. Getting lost was a fool’s errand, and a mistake only made once.

The rest of Friday’s highlights included Black Honey, who are already gaining a serious amount of traction and for good reason. They combine blues-tinged, reverb-heavy rock with a frontwoman who has the sultry and confident attitude of Debbie Harry, Alison Mosshart and Cherie Curie combined. Sheffield’s 65daysofstatic brought an electronic turn to the proceedings with a light show and tunes to make a strong enough statement that should also aide their current hype. By far the biggest highlight of the day was punk band Pretty Vicious in The Scholar Bar, a tiny venue that already made the softer acts seem edgier than you would believe. Pretty Vicious brought out their re-birth of British punk and showed us exactly how they’ve managed to score a major label deal. Snotty, abrasive with purely fantastic riffs, they’re enough to give the Sex Pistols a run for their money.

[youtube]https://youtu.be/X6uBrek6Kd4[/youtube]

Headliners We Are Scientists proved why they’re still going strong in the game after over a decade, a solid set full of the massive hits that first put them in the spotlight, peppered with newer songs which sounded just as strong. The show itself did feel like a watered down version of an atypical We Are Scientists event, at times feeling rushed. However, having taken to the stage 15 minutes late this was potentially an executed measure to get through all of the crowd pleasers.

Stay tuned to TGTF for parts 2 and 3 of Steven’s roundup of Handmade Festival 2016, which will follow in the coming days.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

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TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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