In the Post #147: Richard Hawley previews eighth studio album ‘Hollow Meadows’ with ‘Which Way’

By on Thursday, 2nd July 2015 at 12:00 pm
 

In the shadowy back alleys of Sheffield at night (and also at a pub called Fagan’s in town, depending on who you believe), there walks a man with a well-appointed quiff, spectacles and a knowing swagger all his own. This, my friends, is Richard Hawley, who like Jarvis Cocker is a beloved local singer/songwriter who’s done quite well for himself beyond the confines of South Yorkshire, a legend in his own right. I can hardly believe that after his time in the Longpigs and a stint with Cocker’s Pulp, he had already put out seven albums. Well, until we heard on Tuesday of this week that LP #8 was already in the can, ready to be unleashed on the public in September.

Three years on since the release of ‘Standing on the Sky’s Edge’, which garnered his second Mercury Prize nomination after being given the nod for 2005’s ‘Coles Corner’, Hawley is gearing up to release ‘Hollow Meadows’ on the 21st of September. On his last album, he went into a decidedly psychedelic, more in your face approach than in previous efforts, and I massively disliked the new material at the time, favouring instead the beautifully melancholic tones from the ‘Lady’s Bridge’ and ‘Truelove’s Gutter’ albums. ‘Which Way’ is the first preview we’ve been given to ‘Hollow Meadows’, incidentally named for the supposed “location of a hospital that existed as recently as the 1950s…(in a place) originally known as Auley Meadows – a name thought to derive from the Hawley family who lived there between the 14th and 17th Century”.

You get a good feeling right from the start. To be clear, the guitars make their presence known. But except for the instrumental bridge with a guitar line that starts up like a chainsaw (not ideal), this new tune is led by Hawley’s rich voice, not by or to having to compete with the axes until the outro, where they’re used for an effective ending. There’s a pretty obvious contrast to previous ‘Standing…’ single ‘Down in the Woods’, which was all about how noisy and upfront the guitars could be than anything else.

Instead of psychedelia, the overall feel in ‘Which Way’ is a bluesy one, further supported by a soulful female backing singer and appropriately restrained drumming. Lyrically, the song treads blues ‘poor me’ fodder as well: Hawley sings, “back in time, it would be all right / I knew where I was going for once in my life / now that storm has felled all my dreams / now there’s a shadow hanging over me”, and you feel it in your bones. Considering this is much more than can be said about his Mancunian counterpart Morrissey‘s latest album ‘World Peace is None of Your Business’, odds are based on this taster track that Hawley’s on to something here in album #8. Can’t wait to hear it in full.

8/10

Richard Hawley’s eighth studio album, recorded in Sheffield in the spring of 2015, will be released on the 11th of September on Parlophone. For all past TGTF coverage on Richard Hawley, go here.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

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TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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