Great Escape 2015: Day 3 Roundup (Part 2)

By on Friday, 22nd May 2015 at 2:00 pm
 

Part 1 of my coverage from the Great Escape 2015 on Saturday is this way.

Le Galaxie @ Patterns downstairs (Jack Daniel’s)

So after getting my brains beaten in by a band from Cardiff, I was expecting for something a bit different at Patterns downstairs with Landshapes. However, when I arrived at the venue, there was a brief lull, and then an epileptic fit of strobes accompanied with throbbing beats. Uhhh, I don’t think this is Landshapes? (I was informed later that due to another band pulling out of the lineup, all the acts were going on a half-hour early. If you’re keen on Landshapes, you’re in luck, the London band was on Marc Riley’s 6 Music show Thursday night.) I realised quickly that I was now watching Le Galaxie from Dublin, which was fine by me because I was in the mood for some real electronic after a so far real dance-less Saturday at the Great Escape 2015. While Carrie covered the band at the full Irish breakfast at SXSW 2015, I am pretty sure the stars aligned on purpose so I would be at Patterns at that very moment to catch them.

Le Galaxie at the Great Escape 2015

Most dance music runs to one theme, love: how to get it, how to keep it and what to do when you lose it. With enough dB in the background to keep your heart pulsating. Having a charismatic frontman is paramount. In the case of Le Galaxie, Michael Pope knows how to shake what his momma gave him. It is not what you expect from a hulking Irishman with an epic beard; he looks more like he should be playing with Fleet Foxes, not fronting an electronic band. (I didn’t see the tattoos that are apparently also a trademark of his.) Watching him shake his arse and show off his fancy footwork in front of a Brighton crowd absolutely loving it was quite the sight to see. ‘Put the Chain On’ was a banger, the song that sticks out in my mind because the band was so on point. I think that was one of several where Pope took his microphone and went straight to the barrier to commune with the fans. Another big one was ‘Lucy is Here’, a darker, older but still goodie track. This is exactly the kind of band I expect would have an amazing – and deservedly so – draw at a festival like Ultra. It’s not just synths and buttons pushed. Pope and co. make sure everyone is included in their dance party, and it’s an unforgettable experience.

Young Kato @ Shooshh

Next on my hit parade for Saturday night was Young Kato, who I’ve been following since their early days. They’ve now released their debut album on Republic of Music this month, ‘Don’t Wait ’til Tomorrow’, which has been a long time coming, and I couldn’t be happier for the lads. Their show at Shooshh would be their crowning moment at the Great Escape 2015, where they would show off their new tunes and bring out the older ones for devoted fans. ‘Drink, Dance, Play’, which always ends up being a ridiculously fun exercise in jumping up and down, yelling and screaming the chorus, never disappoints, and it sure didn’t disappoint in Brighton. The vibrancy of the uber optimistic ‘Sunshine’, the title track of their autumn EP last year, closed their set out on a high note. Onward and upwards, lads!

Young Kato at the Great Escape 2015

Even though it was a little chilly to me, the dry weather was nice in Brighton, which means there were queues at most venues thanks to eager punters everywhere you went in the city. The Spiegelpub and Spiegeltent area around hub of transit activity The Old Steine was a new one to me, but I was very intrigued with the premise: being inside it was very much like being at an outdoor festival, which means if the weather is good, it’s fantastic, but if the weather’s crap, every man for himself.

Keston Cobblers’ Club @ Spiegeltent (Jazz Cafe Presents…)

After getting some cheesy fries with loads of mayonnaise and feeling like an idiot for eating them with a fork (hey, I still had to take photos, yo!), I entered a Moulin Rouge-themed area where Keston Cobblers’ Club would be playing. I have my favourite songs off their debut album ‘One, for Words’, and hoped I would hear them. One of the catchiest tunes off their debut, ‘Your Mother’ is a unique one, with horns and banjo joining the fray, the band’s lush harmonies sounded beautiful against the instrumentation. The group also showed off some new songs from their upcoming second album ‘Wildfire’, which will be released in June.

Keston Cobblers' Club at the Great Escape 2015

Sadly, I was drowned out for the request for a slower one by the rest of the crowd, which in the end is fine because I would have preferred them to gain new fans than to make one music editor happy. The crowd was in the mood to dance or to be more accurate, to stomp. While I was stood in the front of them, it quickly became a square-dancing hoedown, punters pleased with the up tempo gaiety their songs provided them on a mild night by the sea. At one point, I was sure I was going to be stamped to death, as everyone was so boisterously stomping their feet on the wood floor of the Spiegeltent. All’s well that ends well, though: after their set was over, new fans rushed like the dickens to the front to buy their CD. A job well done, then.

Blossoms @ Green Door Store (Dr. Marten’s)

I had been thinking for a long while how I wanted to end my Great Escape 2015 experience and after a friend had disappeared from me post-Keston Cobblers, I decided my original plan was best. I rushed quickly back up Brighton’s hilly streets to the Green Door Store, the site of my most epic fail at the Great Escape to date. Two years ago, at the same crowded venue, I got nowhere near the front so I could hear Teleman but could not actually see them. This time, I wasn’t about to be denied. I was a little pushy but was never rude and by the grace of god, I finally saw a clearing and was down the front for Stockport’s Blossoms, who I’d enjoyed at the BBC Introducing stage at SXSW 2015. I think it was a pleasant surprise for the band to see me, as they didn’t even know I was at the festival.

Blossoms at the Great Escape 2015

Watching a middle-aged man in sunglasses (remember, it was nearly midnight by this time, and dark) and a leopard print shirt, grooving to Blossoms, that image from this year’s event will definitely stay with me. He was clearly feeling and breathing in their psychedelic pop vibes, as were many down the front. Kitted out with their new shoes courtesy of stage sponsor Dr. Marten’s, the five-piece were on point. I still don’t know what ‘Blow’ means, it probably has some rude explanation that would make me blush, but for some reason I really connect with its sound, and I admit I have played the video for the song a few too many times on YouTube, Tom Ogden’s vocal line in the chorus is just about perfect, and bloody hell, you must be a stone if Josh Dewhurst’s guitar solo doesn’t bring you to near tears.

Afterwards, I went to go thank the lads for a hell of a set. We all hugged and they asked me, “when will we see you again?” Ha. I couldn’t cry then. It’d be too embarrassing. But I hated knowing I was going home the next day. But hopefully that reunion with them and everyone else I met up with in Brighton will be sooner than later. Fingers crossed.

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