SXSW 2015: Thursday afternoon at the BBC barbecue, British Music at SXSW showcase and the historic Driskill Hotel – 19th March 2015

By on Tuesday, 7th April 2015 at 12:00 pm
 

After the delightful Lost in Austin brunch on Thursday morning, I made my way back across the Colorado River and into downtown Austin. I had just enough time to grab a cup of coffee and jot down my thoughts before I received a text message from editor Mary, who wanted me to stop in and join her at the Old School Bar and Grill for the BBC barbecue. Mary has already covered the event in full, but I was lucky enough during my brief stop to catch a set by Laura Marling, including songs from her newest album release ‘Short Movie’, which TGTF previewed back in December.

While Marling did her preliminary soundcheck on the Old School Bar and Grill stage, I took the opportunity to scout out the room for good photo angles. I was testing the settings on my camera when another photographer made a comment to me about how beautiful Marling’s guitar collection was. I agreed, and thus found myself in an informative conversation with SXSW 2015 staff photographer Ziv Kruger about shooting effective photos at SXSW shows. Kruger took a quick look at my camera and gave me a few useful tips, which I immediately put to use in photographing Marling and her band. (If you’re interested in seeing more of my photos of the set, check them out on my Flickr.)

Laura Marling at BBC BBQ 19 March 2015

Laura Marling at BBC BBQ 19 March 2015

After Marling played, the BBC barbecue started to wind down, and I headed over to the British Music Embassy at Latitude 30 to catch The Twilight Sad, with whom I’d had a nice chat earlier in the week. I arrived at Latitude 30 in time to hear the end of a set by fellow Scottish band Roddy Hart and the Lonesome Fire, whose six-piece band set up was a tight fit for the British Music Embassy stage.

Roddy Hart and the Lonesome Fire 19 March 2015

Despite the close quarters, Roddy Hart and the Lonesome Fire impressed me with the size of their anthemic rock melodies, and I made a mental note to listen to them again after returning home from my trip to Austin. Their single ‘Bright Light Fever’ earned the band a week-long residency on Craig Ferguson’s Late Late Show in America early last year, and it was a hit at the British Music Embassy in Austin as well.

[youtube]https://youtu.be/nOGtfQEo_d0[/youtube]

The Twilight Sad were the final act on the afternoon’s British Music at SXSW showcase, and as frontman James Graham had promised in our earlier interview, their set was heavy on tracks from the band’s latest LP ‘Nobody Wants to Be Here and Nobody Wants to Leave’. They opened with two tracks featured previously here on TGTF, ‘There’s a Girl in the Corner’ and ‘Last January’ before touching on ‘I Became a Prostitute’ from 2009 album ‘Forget the Night Ahead’ and closing their set with the epic sound of ‘And She Would Darken the Memory’ from their 2007 debut ‘Fourteen Autumns and Fifteen Winters’. Though their set here was effective, it did feel quite short and left me wishing for more. Fans of The Twilight Sad will no doubt relish the opportunity to hear longer and more expansive set lists on the band’s upcoming UK tour; find those live dates here.

The Twilight Sad at British Music Embassy 19 March 2015

The British Music Embassy cleared out after The Twilight Sad finished playing, and I had enough time between engagements to meet Mary for a quick dinner before I headed to the historic Driskill Hotel to see singer/songwriter Josh Savage. Mary had recommended Savage to me after seeing him herself at a Sofar Sounds show in Manchester last year, and I’d had his latest EP ‘Spaces’ on repeat in my car during the long road trip to Austin, so I was especially excited to see his only official SXSW showcase on this night.

Josh Savage at the Driskill Hotel 19 March 2015

The Victorian Room at the Driskill was a perfect venue to showcase Savage’s elegant and refined songwriting. While the space might have been intended for standing room only, we in the audience chose to seat ourselves either in the few available chairs or on the floor in front of the stage. The room was very comfortable with good viewpoints all around, and Savage took advantage of the intimate space by telling a few sentimental stories to go along with his tunes and even stepping down off the stage to be closer to his audience.

He further drew us under his spell by asking for our harmonic participation in the chorus of his enchanting ballad ‘Lost in Paris’, and by the end of the set I found myself completely smitten by his graceful songcraft. I was able to sit down with Savage for a brief interview outside the Victorian Room after his show; you can listen to his soft-spoken commentary right here.

Josh Savage at Driskill Hotel 19 March 2015

I had to cut my conversation with Savage shorter than I would have liked so that I could rush back to Latitude 30 to follow up on Dry the River, with whom I had become become acquainted earlier in the week. Stay tuned to TGTF for more coverage of my Thursday night adventures, including Dry the River’s showcase at the British Music Embassy.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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