Liverpool Sound City 2013: Martin’s Day 1 Roundup

By on Tuesday, 14th May 2013 at 1:00 pm
 

Martin’s high-res photos from the Thursday can be viewed on his Flickr.

Acts of the day: Moongaï, Findlay, The Oreoh!s (known now as the Orielles as of 26/11/13)

Venue of the day: Kazimier Gardens

It wasn’t until the final night of Liverpool Sound City 2013, whilst tramping up Seel Street for the umpteenth time that weekend, that I had a flash of the blindingly obvious: that people other than music fans are allowed to party in this area of the city as well! The past couple of nights had seen the handful of parallel streets that accommodate the countless music venues which form the heart of LSC13 dominated by so many wristband-toting musos that it was easy to forget that regular Liverpudlians on their well-deserved Saturday night shindig were permitted to use the facilities as well. What they made of the invasion of the weird, wild and wired LSC13 crowd was unclear, but none seemed uncomfortable in the others’ company. From established acts with nothing to prove, via young bucks seemingly teetering on the brink of stardom, to those dipping their toes in the waters of showcasedom for the very first time, such was the quality on offer that one could stick a pin in the LSC13 poster and have every confidence that the randomly-chosen act wouldn’t disappoint. Each person’s itinerary is by definition decided as much by practicalities, happenstance and opportunity than judicious planning, and as such is simply a snapshot of the event as a whole rather than any attempt to unravel the latest and greatest. With that caveat in mind, here’s my take on the Thursday:

Nateley's Whore's Kid Sister Liverpool Sound City 2013

Any thought of easing in gently is discarded in favour of a powerful punch in the ear courtesy of fellow Tynesiders Nateley’s Whore’s Kid Sister (@NWkidsister). Shorn of the stocking masks they were wearing last time I saw them, but lacking none of their previous raw power, Nateley’s deliver an uncompromising set perfectly summed up by their “alternative sludge” bio description. As subtle as slamming your hand in a car door. [Probably one of the weirdest names for a band since Natalie Portman’s Shaved Head too – Ed.]

Moongai Liverpool Sound City 2013

For some light relief, the first trip to the Kazimier Gardens for Moongaï‘s (@moongai) baroque mélange of idiosyncratic Gallic pop. They’re all in retro fancy dress, the music heavy with that combination of style, eccentricity and camp that the French excel at. Eva whoops beautifully over the band’s electronica-tinged upbeat pop; by the time she has scampered through the entire audience, exhorting them to ever higher levels of appreciation and excitement through a loudhailer, everyone is bemused and captivated in equal measure. Brilliant, original, bonkers.

Findlay Liverpool Sound City 2013

Findlay give great show. There’s a fine, guitar-heavy performance from the band, with particular mention to the gentleman guitarist who gamely attempts to compete with his vocalist for the audience’s indulgence. But it would be inaccurate of me to say that very much attention was paid to anyone at all but the eponymous lead singer. Attired in a skinny, clingy leopard skin dress, gyrating and emoting for all she’s worth, Findlay the band are essentially a vehicle for the lead singer’s stage presence. Her voice drips with ’70s new wave punk attitude; recent single ‘Your Sister’ showcases it perfectly: a bitter slice of pop rock, its fiercely snarled refrain demonstrating just how much potential this young act have. In Findlay we may be witnessing the emergence of a genuine rock star.

Reverend and the Makers Liverpool Sound City 2013

Reverend and the Makers are received with rapturous applause, and Jon McClure unashamedly bathes in it, acting for all the world like God’s gift to rock ‘n’ roll, rather than a paunchy Yorkshireman in his thirties. After a brief meeting earlier in the day, he seems like a delightfully down-to-earth chap, who just happens to be held in a position of adulation by a certain type of laddish crowd previously entertained by Oasis and their ilk. This reviewer is far too much of a music snob to be able to enjoy this sort of thing: the songs are all pretty basic, formulaic affairs, and the whole shebang would have little appeal if it weren’t for McClure’s irrepressible personality. Everybody bounce!

AlunaGeorge Liverpool Sound City 2013

BBC Sound of 2013 alums AlunaGeorge are the great new hope of mainstream British urban music, and their live show just about keeps that optimism on track. Aluna Francis has as good a voice live as on record, and the band are highly competent; one might hope for a little bit more soul in the performance, but no doubt that will come with time.

The Oreohs Liverpool Sound City 2013

Next up are one of the most surreal and surprising acts of the festival: The Oreoh!s hail from Halifax and trade in delightful 3-minute punk-pop ditties which sound far more mature than their age would suggest. Did I mention their age? They barely look old enough to have taken their GCSEs, let alone be knocking out some very cool songs at midnight at a music festival. I know appearances can be deceptive, but there’s no way any of them would get served for a much-needed post-gig beer without proffering ID, poor things. The natural conclusion is: if they’re this good at such a tender age, where will they be in a couple of years? Ones to keep an eye on.

The Kill Van Kulls Liverpool Sound City 2013

As if to prove the fickleness of the music biz, Manchester’s The Kill Van Kulls bring their intelligent, well-honed set of catchy, poppy, guitar epics to a mere handful of people. They were admittedly ear-splittingly loud for such a small venue, but still it sticks in the throat a bit, with memories of the Makers’ enormo-rabble fresh in the memory – the KVKs are leagues ahead in the musical department. Still, the band give it their all, with guitar histrionics aplenty. I need to see them again, in a proper venue, and a proper crowd, which is presumably what they get most other days of the week.

Bastille Liverpool Sound City 2013

Rumours abound that Bastille is full to capacity, but the opportunity to catch the man of the moment is too good to pass up, so I took a chance and headed over. Even though the room was busy, it wasn’t full – shame the same couldn’t be said for the photo pit, which was rammed with photographers trying to catch that iconic shot which could propel them out of a sweaty pit and into the catwalks of the South of France. The crowd are pretty mad for the well-crafted pop, which catches just enough of the zeitgeist to be cool, but is traditional enough to appear unthreatening to enough people to fill a sizeable venue such as tonight’s disused car park. Bastille Dan takes it all in his stride, despite his trademark gravity-defying hairstyle taking a beating. A competent performance, but I still prefer the record.

Tired of foot and exhilarated of brain, a quick peek into the delegate after party at the Epstein Theatre reveals – in amongst the scattered bodies of industry heads and liggers who’ve indulged in one too many sweet sherries throughout the evening – the final gem of the night. MiC LOWRY (pictured at top) are a five-piece self-described “boy band” who trade in the sweetest harmonies this side of the Jackson 5. Cast in the classic mould of an act like Boyz II Men, for a few brief numbers the Epstein is alive with buttery-smooth soulful sounds from these five cheeky Scouse lads. They’re so eminently ripe for the plucking by a Cowell-style ‘mentor’, you can almost s the X-Factor breathing down their necks. One can only hope they get proper, sympathetic advice that sees them grow their career in a steady, long-term fashion, rather than chewed up and spat out by the industry machine; the world needs to hear MiC LOWRY.

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6 Responses

[…] I was approached soon after by Sid and Esme of the Oreohs, the young Halifax band who Martin had nothing but compliments for from the Thursday. “Are you Mary Chang? Do you run There Goes the Fear?” I was incredulous. And to be […]

[…] they’re actually a really good band. My thoughts on their appearance at Liverpool Sound City are already out there, but after the buzz of that weekend had died down I had the opportunity to sit down and have a […]

[…] applauded like crazy at festivals like when we discovered them at Liverpool Sound City this year performing at midnight and supporting bands like TGTF favourites The Crookes and The Lovely […]

[…] Natalie. Their 2013 was momentous, from a raucous set at Liverpool Sound City (photos here, Sound City coverage here), being picked by fashion designer L’Wren Scott (Mick Jagger’s better half) to play the […]

[…] been keeping an eye on young Halifax band the Orielles since Martin caught them at Liverpool Sound City last year in the wee hours of Thursday night into Friday morning and my own […]

[…] attraction, the Orielles. We’ve written about the band a fair bit on TGTF now, them having wowed our Martin at Sound City 2013 last year. This, however, was my first chance to see them up close and […]

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