By Mary Chang
on Friday, 23rd September 2016 at 6:00 pm
Kent’s most whimsical rock export of late Get Inuit released a new single in August. Confusingly called ‘Teriyaki’, it’s not anything about the Japanese delicacy. However, it’s an earworm of the highest calibre, and you’d do yourself a big favour to listen to it. You can read my more thoughtful observations on the single through this link.
For the promo video to accompany the single, the band have gone in a humourous direction – but of course! Dressed in stripey shirts and khakis reminiscent of the Beach Boys when they were still squeaky clean and before Brian Wilson became a recluse, they clown around on the closest beach – on the Isle of Sheppey – with one of those California-ey Volkswagen vans. The only thing missing here is surfboards. But you’ll barely notice them, because you’re going to be drawn in by the infectious melody of the single. Watch the video for ‘Teriyaki’ to start your weekend below. You can enjoy our back catalogue of posts on Get Inuit here.
By Mary Chang
on Friday, 23rd September 2016 at 4:00 pm
Brighton band The Wytches – now a four-piece, with Kristian Bell (vocals, guitar), Daniel Rumsey (bass), Gianni Honey (drums) and Mark Breed (guitar, organ) – are gearing up to release their sophomore album. ‘All Your Happy Life’ will drop next Friday. Previously announced single ‘C-Side’ proved the band were continuing on with their uncompromising lo-fi and punk swagger. Now the song has its own promo video, the band accompanied by a high-tech buddy.
Animatronic artist John Nolan, known for his work in such fanciful films as Harry Potter, Where the Wild Things Are and Warhorse, is a Wytches fan and was eager to work them after falling in love with the band’s 2014 debut ‘Annabel Dream Reader’.
“The Wytches are a top band and I wanted to work with them since hearing the first album. A lot of their previous films were shot low res and feature the band and their friends dressing up and messing about, I wanted to honourthis but introduce some sort of narrative and creature fx. I wanted to play around with the human form and create something that looked normal from one angle but growing into something completely freakish as the camera moves across it. Elongating the neck proved to do this brilliantly and it led me to research into Rokurokubi, a type of Japanese apparition where the human head leaves the body stretching out the neck. The act of the head separating from the body represents the spirit’s soul wandering.
The band we’re completely open minded and gave me their full blessing so we committed to the idea. I’d worked with Conor Craig-Stephens before as he was the lead creature in The Hallow, I knew he would be perfect as our guy. We spent 5 weeks at the studio building a full mechanical animatronic human head with the long neck blending into something that Conor could wear. The face was controlled by two puppeteers using radio control transmitters and the head and neck movements performed by either by Conor or lead puppeteer Rob Tygner. The film uses a number of effects disciplines including animatronics, puppetry, motion control camera work, rod removal and a full cgi neck animation in the final outro, so with a very low budget it was ambitious to say the least.”
You’ll be amazed by the results. Watch the video for ‘C-Side’ below. ‘All Your Happy Life’ will drop on the 30th of September on Heavenly Recordings. For past coverage on the Wytches on TGTF, head here.
By Mary Chang
on Thursday, 22nd September 2016 at 6:00 pm
It’s been an age since we’ve heard a peep out of Tall Ships. The Brighton hard-rocking band – now a quartet – haven’t released any new material since early 2015, so we’re pleased to hear they’ve returned. As its title suggests, ‘Meditations on Loss’ is meant to have an introspective bent. However, as previous Tall Ships releases, the new song has a loud, full freneticism that comes across as anthemic.
The accompanying video according to the band, is meant to “represent the futility of existence…The sprint from birth to death and the constant questioning of what we’re running from, for or to. The video was directed by, and features, close friends and family.” Indeed, this promo was directed by Tall Ships frontman Ric Phethean’s brother Ben. Ric’s cousin Tama also makes a guest appearance in the video. Watch the heart-pounding video for ‘Meditations on Loss’ below. The band will be also be returning to the road, supporting Cambridge group Lonely the Brave on tour in the UK in October and also make an appearance at Manchester’s Neighbourhood Festival on the 8th of October. For more on the Brighton band on TGTF, go here.
By Mary Chang
on Thursday, 22nd September 2016 at 4:00 pm
Melbourne electronic soul group SAFIA released their debut album ‘Internal’ merely a fortnight ago. Read my review of their long player through this link. Back in June, 3 months prior to the release of ‘Internal’, the band took a trip to blighty, stopping in London for a Sofar Sounds show there. The below video is of the Aussie trio performing their single ‘Counting Sheep’ (about what else, insomnia!) in a stripped back fashion. While the song doesn’t appear on ‘Internal’ – it was released as a single in its own right in early 2015 – this should be solid proof to any naysayers just how beautiful and perfect frontman Ben Woolner’s lead vocals are when isolated. Watch the arresting performance below. For read more of TGTF’s coverage on SAFIA over the last year and a half, follow this link.
By Adam McCourt
on Thursday, 22nd September 2016 at 12:00 pm
Having just passed their 12th year anniversary as a band, with two previously released studio albums including their critically acclaimed self-titled second album from 2014, these girls need no introduction. However, with their third album out in less than 24 hours, I suppose it won’t hurt to shout out… Fully female L.A. based dream pop four-piece Warpaint are set to release their eagerly awaited third studio album ‘Heads Up’, due out tomorrow on Rough Trade Records. In announcing the album, the girls released an accompanying single, ironically titled ‘New Song’ back in August (read my review here).
After an interview in NME surfaced in March 2015 stating that Warpaint didn’t want to do another album, fans thought this day would never come, especially as the statement was backed up by the band taking somewhat of a hiatus to work on their own solo projects throughout the whole of 2015. During which time, bassist Jenny Lee Lindberg released a solo album titled ‘Right On’, reviewed by Carrie back here. After regrouping in early 2016, not just with each other but also with former producer Jacob Bercovici (who produced their 2009 debut EP ‘Exquisite Corpse’), the band wasted no time. By May of this year, the record was done and what an album it truly is.
‘Heads Up’ explores a mature side of Warpaint, and in ways previous efforts lacked. Rather than providing a sonic overload within each song, the quartet managed to simplify their approach to song writing, which gives a lot more time and space to absorb the sweet vibes their providing . This approach is apparent when listening to the album opener ‘White Out’. If you listened to the bass, guitar and drums in isolation, each hint at totally separate directions to the next, with very subtle connections to each other within note choices and rhythmic patterns. But when taken as a unit, they work perfectly together.
The guitar is the constant in this case, taking somewhat of a backseat role following its introduction. As the bass and drums dance around it with rather busy yet poppy patterns, Kokal’s vocals sprinkle the track with an equally upbeat topline produced by her imperfectly sensual vocal tone. The bass specifically gives the impression that it’s locking with the vocal rhythm more so than the drum pattern, which, although is quite rare in pop, it pays off and helps strengthen the top line. The drums within ‘White Out’ have a higher level of complexity, ironic given that for a lot of beginning writing sessions for the album Stella Mozgawa wrote her parts on sample pads and drum machines, due to an injury that left her unable to physically play. With this in mind we must applaud her, every pattern is played for a reason. The ghost notes aren’t for flair, they add that extra burst of movement to the track, whilst the off beat, dynamic contrasts on the hi-hats keep the listener hooked from start to finish.
‘By Your Side’ showcases what we know and love about Warpaint’s blended voices, an unconventional style of harmony in today’s pop music. The girls sing about what sounds like being in a relationship with a cheater, but with a darker, slightly sinister twist. The lack of repetition within the music and a topline that’s shared between two or more members causes the focus of the song to wander, a purposely unclear melody used to great effect. The track oozes a creepy, ‘you fuck with us, we’ll fuck with you’ side Warpaint unseen until now.
Further down the album, tracks such as ‘So Good’ and title track ‘Heads Up’ could easily be considered modern day alt-pop gems. The diatonic harmony within provides an easy to grasp understanding of the music that, combined with the fun, poppy grooves, gives both of these numbers commercial appeal. The focus towards electronic elements and the vocals sway these tracks, and the record for that matter, away from being so heavily guitar orientated, the way ‘The Fool’ and ‘Warpaint’ were. Lindberg put it best, by describing the new material as “an evolution of our band. It sounds like a mature version of Warpaint”. The ‘get in, get to the point and get to the next track’ approach of ‘Heads Up’ as an album is a great mark of their newfound professionalism.
Underestimating how far these four will go to provoke various emotions within a record would be a mistake. ‘Dre’, aside from being somewhat of an ode to influential American hip-hop producer Dr. Dre, is one that physically and sonically takes you by surprise eight songs into the album. Following the deeply emotive ‘Don’t Let Go’, ‘Dre’ has a huge, industrial sounding drum part that paves the way for an eerily beautiful, long-held chord progression that never seems to rest. With the pads acting as the foundations for the harmony, it leaves the window completely open for all remaining elements to create a sonic picture of what it would be like if Dr. Dre collaborated with Warpaint.
Easily Warpaint’s most diverse effort to date, ‘Heads Up’ shows these ladies are equally at home with abstract, avant garde sounds (‘By Your Side’) and poppish new wave (‘So Good’). The new rule of no overthinking works fully in their favour, which in turn gives us a clearer view into the true soul of Warpaint.
Heads up! ‘Heads Up’ is due out tomorrow, the 23rd of September, on Rough Trade Records. If you’re as excited about it as I am, you’ll already have it on pre-order. Warpaint are currently on tour in the U.S., which will be followed by with a short string of dates in UK and Europe. Find out whether they’re coming to you and get your tickets through this link. For more of TGTF’s coverage on Warpaint, go here.
By Mary Chang
on Wednesday, 21st September 2016 at 6:00 pm
Popular Irish rock trio Bell X1 have finally settled on a release date for their long anticipated next album. ‘Arms’, their seventh album and the follow-up to 2013’s ‘Chop Chop’, will be out on the 14th of October. To celebrate the upcoming release, the band have released the promo video for ‘Out of Love’, created by visual artists Louise Gaffney and Cian McKenna.
Gaffney’s abstract ideas have combined successful in this video via McKenna’s visual artist background and motion-graphic designing. The quirky design of the video reflects well the offbeat nature and almost tropical feel of the Dubliners’ song. Watch it below. In addition to a previously announced dates in London in November and in Australia in December, they’ve also announced four dates in Ireland proper; to view all their upcoming live dates, visit their official Web site.For more on Bell X1 on TGTF, go here.